![]() ![]() I usually set this around “9” and then make any small adjustments that are needed. If your narrative is pretty dense on your timeline, set the Sensitivity to high in order to pick up on some of the smaller gaps you have in your audio. Make sure “Duck Against” is set for “Dialogue.” You can use this same technique for other types of audio elements as long as you assign them an Audio Type first. From here you can start entering in the parameters you want the algorithm to use. ![]() If the controls are all greyed out, click on the box on the right hand side of the control panel to activate the effect. If you only see the headings, click on the box to open up the controls. Next, highlight all of your music, and in the Essential Sound Panel click “Music.” Once the Audio Type is set the Effects panel should open up. On your timeline, highlight all of your narrative elements that you want the music to dip down under, and click “Dialogue.” Once the Audio Type is set, leave that audio alone for now. Once you have it in your Workspace, go ahead and click on the panel to open it up. You can do this by navigating to “Window,” scroll down to where you see “Essential Sound Panel” and click on it to activate it. If you don’t have the Essential Sound Panel activated, you’ll want to add it to your Workspace. If your workflow is similar, this tool found in the Essential Sound Panel, will save you a lot of time keyframing your music around your dialogue. When working through a creative edit, we typically lay out our narrative elements first, in order to ensure that we can manipulate the music track how we need to flow with the overall story. Audio Ducking Essential Sound Panel Use Premiere’s automatic audio ducking tool to save yourself time Stay tuned for the accompanying blog post!ġ. If you’re working in FCPX, feel free to check out Ask The Editor Episode 3 where we go over similar effects that are found in Final Cut Pro X. One quick note, this article and Ask the Editor episode is focusing on tools found in Premiere Pro and the Adobe platform. ![]() Anything can happen on a shoot day, so while these tools may not be able to provide major audio recovery, they can at least help work around some of the most common issues you may encounter. If you’re working with professional equipment, and have all your settings dialed in, these effects will give your audio a final polish. We’ve outlined four quick, and easy things you can do to improve your audio mix. The questions we’ve received about recording, mixing, and sound design could fill multiple episodes-we’re planning to create more in-depth audio tutorials in the future-but for this episode, we wanted to focus on a few tips and tricks we think all filmmakers should know to quickly improve their audio. But one aspect of post-production we hear filmmakers struggle with is the audio mix. We know a lot of filmmakers enjoy coloring their projects because that’s when you can breathe life into your footage-especially when you’re using a flat color profile. Once you’ve completed your edit, you’re ready for the “finishing” steps of color grading and audio mixing. ![]()
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